—By Diana Tang— “We’ll go down in history; remember me for centuries.” This line from Centuries is American Beauty/American Psycho in a nutshell; Fall Out Boy is once again making its mark […]
—By Katherine Chen & Michelle Xu— Jeremy Garelick’s latest movie, The Wedding Ringer, although classified as a romantic comedy, really contains no romance at all. A better label would be “bromantic satire,” […]
There are certain actions that guys have uniformly deemed feminine. If a boy tries to sing a girly song—and by “girly,” I basically mean any pop song that is partially sung by […]
Stephanine Kuenh’s second novel, Complicit, won’t change your outlook on life or move you to tears, but it isn’t trying to. What it delivers is entertainment. It’s a wild, savage book with […]
“Is today a good day to die?” is the strangely fascinating opening sentence to Jennifer Niven’s All the Bright Places. Death is a sensitive topic; however, Niven plays around with its meaning, […]
—By Liam Knox & David Yaffe-Bellany— The drama of last December—the unlikely involvement of a Hollywood farce in a long-running geopolitical standoff, the surreal spectacle of President Obama calling on Sony Pictures to […]
I consolidated pretty much every Smashing Pumpkins song on a Spotify playlist and listened to it for three days. The band’s new album, Monuments to an Elegy, is not at all a […]
1965…that’s 50 years ago. I’ve learned about the Civil Rights Movement in American Studies, engaged in class discussions, written essays, and taken tests, but it never felt real until I saw Selma, […]
—by Michael Bamford & Gabriel Yoder-Shenk— Horrible Bosses 2, directed by Sean Anders, could have been a failure. For instance, when excited fans of The Hangover went to see The Hangover Part […]
—by Danielle Brubaker & Zehra Madhavan— Let it Snow, by John Green, Lauren Myracle, and Maureen Johnson This quintessential holiday romance book contains three stories, each written by a different bestselling young adult […]
